$9.95
Neil GaimanStan LeeJill ThompsonKieron DwyerSteven T. Seagle Duncan Rouleau
New. Great looking book unopened, unread; satisfaction guaranteed.
DC Comics. Paperback. 2-Feb. 224. 0.40 x 10.20 x 6.74
$19.95
Gaiman, Dave NeilBerger, KarenPeyer, TomMcKean, DaveBair, Mikal
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DC Comics. Paperback. September 1991. 160. 0.50 x 10.25 x 6.75
$5.99
Jablonski, CarlaGaiman, NeilBolton, John
From School Library Journal Grade 7-9-Timothy Hunter's mother has died, and his grieving father has become distant. One day, four men in trench coats approach the 13-year-old and ask him if he believes in magic. It turns out that Timothy has the potential to be the greatest magician who ever lived. From there, the plot, or what plot there is to speak of, involves Timothy's introduction to the world of magic, and the decision he must make as to whether to follow this path or to remain a normal kid. The trench-coat brigade leads him on a whirlwind tour from London to San Francisco to the realm of Faerie. This book reads like a very extended prologue to the real story, and the comparisons to "Harry Potter" are obvious. Timothy even wears glasses. An introduction by Neil Gaiman, who wrote the graphic novels upon which this book is based, sets the stage with the background to the story. Jablonski's writing is of the movie novelization variety, perhaps reflecting the comic-book roots of the story. While kids hungry for fantasy will probably enjoy this, The Invitation should have remained in its original medium. Tim Wadham, Maricopa County Library District, Phoenix, AZ Copyright 2003 Reed Business Information, Inc. Card catalog description Thirteen-year-old Tim discovers he may be the greatest wizard of his time when four strangers introduce him to the world of magic, taking him on a journey through the past, present, future, and Faerie realms, where danger threatens at every turn. Book Description Do you believe in magic? Timothy Hunter is just like any other thirteen-year-old boy in London . . . except for the tiny fact that he might be the most powerful magician of his time. When four strangers offer to show Tim the realms of magic, he begins a journey beyond imagination. Wizards pursue him, danger threatens at every turn, and he discovers powerful forces that want him on their side -- or dead.
Eos. Paperback. ?. 256. 0.74 x 6.75 x 4.22
$5.99
Jablonski, CarlaBolton, JohnGaiman, Neil
Card catalog description In this novelization of The books of Magic, number two, Tim Hunter encounters new danger and trials on his journey to become the world's greatest practitioner of magic. Book Description Do you believe in magic? Timothy Hunter is just like any other thirteen-year-old boy in London . . . except for the tiny fact that he might be the most powerful magician of his time. An enigmatic man named Tamlin has decided that Tim is the key to saving the dying world of Faerie. But exactly how Tim is supposed to do that -- and who Tamlin really is -- remains to be seen. . . .
Eos. Mass Market Paperback. ?. 192. 0.54 x 6.76 x 4.19
$19.95
Gaiman, NeilZelazny, Roger (Introduction)John Bolton (Illustrator)Scott Hampton (Illustrator)Charles Vess (Illustrator) Paul Johnson (Illustrator)
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DC Comics. Paperback. April 1993. 196. 0.45 x 10.16 x 6.64
$13.97
Gaiman, NeilThompson, Jill (Illustrator)Locke, Vince (Afterword)Straub, Peter
One might think that the climax of the 10-volume Sandman series would come in the last book, or even the second to last. But indeed the heart and soul of Neil Gaiman's magnum opus lies here in Brief Lives. It could be because one of the most central mysteries--that of the Sandman's missing brother--is revealed here (in fact, the plot of this volume is the search for this member of the Endless). It could be because everything that comes after this volume, however surprising or unexpected, is inevitable. But it's more because this is a story about mortality and loss, the difficulty of change, the purpose of remembering, the purpose of forgetting, and the importance of humanity. If you have wanted to find out what all the good buzz on this great comic book series is about and haven't read any Gaiman before, don't be turned off by this volume's pivotal position in the larger story of the Sandman series. This book might actually operate better as a stand-alone story, in that its depth and compassion are more condensed, pure, and brief. --Jim Pascoe From Publishers Weekly Gaiman's very popular Sandman series (this is the eighth book in the series) continues with another tale of the Endless, the family of mythic cosmic beings that govern the psychic and physical realms of Dream, Desire, Despair, Destiny, Delirium, Destruction and Death. Morpheus, Lord of Dreams and the central figure in the series, is asked by his sister, the unstable and touchingly demented Delirium, to help locate their brother Destruction. Destruction abandoned his duties 300 years ago (about... read more
DC Comics. Paperback. January 1995. 256. 0.50 x 10.25 x 6.66
$15.99
Gaiman, NeilMcKean, Dave (Illustrator)
Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious. What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older) --Karin Snelson From Publishers Weekly British novelist Gaiman (American Gods; Stardust) and his long-time accomplice McKean (collaborators on a number of Gaiman's Sandman graphic novels as well as The Day I Swapped My Dad for 2 Goldfish) spin an electrifyingly creepy tale likely to haunt young readers for many moons. After Coraline and her parents move into an old house, Coraline asks her mother about a mysterious locked door. Her mother unlocks it to reveal that it leads nowhere: "When they turned the house into flats, they simply... read more Book Description The day after they moved in, Coraline went exploring....
HarperCollins. Hardcover. July 2, 2002. 176. 0.74 x 8.54 x 5.72
$10.85
Gaiman, NeilMcKean, Dave (Illustrator)McKean, Dave
One day Nathan comes over with two goldfish named Sawney and Beaney. "I'll swap you them," says the little boy of the house. "What for?" asks Nathan. As it turns out, Nathan doesn't want anything that the boy and his little sister suggest for trading... not an old spaceship or even Clownie the clown. Finally, the boy has an idea, the kind of idea (like discovering "electricity or fire or outer space or something") that changes the whole world. He decides to swap his dad (the silent guy behind the newspaper) for two goldfish. After all, the boy brags, his dad is as big as 100 goldfish and he swims better than a goldfish ("Liar," says his little sister.) But Nathan agrees to take their dad anyway. When their mother gets home, she is very mad, and sends her kids over to Nathan's to get their dad back. Sadly, Nathan has already traded their dad for an electric guitar. Page upon hilarious page goes by, as the father is traded again and again. When they finally track him down, he is still reading the newspaper! (Mom makes them promise never to swap their dad for anything ever again, and they promise.) Comic masters Neil Gaiman and artist Dave McKean have created a wonderful graphic short story for all ages. The artwork is magnificent, funny, multi-textured, and scritchy--the perfect visual accompaniment to this hip, kid-friendly exploration of the perils of bartering family members. --Karin Snelson Ingram Written for children and the young at heart, this is the unforgettable story that will take readers on a lavishly illustrated journey into the quirky mind of a young boy and the perils of striking a bargain. Full color. --This text refers to an out of print or unavailable edition of this title.
White Wolf Publishing Inc.. Paperback. November 1998. 256. 0.16 x 8.98 x 8.98
$10.36
Gaiman, NeilBachalo, Chris (Illustrator)Pennington, Mark (Illustrator)Buckingham, Mark (Introduction)Danes, Clare
A tale of music, mortality, friendship and death is told in a graphic novel designed for mature readers by author Neil Gaiman. Spinning off from the popular Sandman Library, this is the story of Foxglove, a rising star of the music world who must wrestle with revealing her true sexual orientation as her companion, Hazel, is lured into the realm of Death. 96 pp.
DC Comics. Paperback. December 1997. 96. 0.23 x 10.19 x 6.65
$9.95
Thompson, JillLoughridge, LeeGaiman, Neil
New great looking book unopened, satisfaction guaranteed
DC Comics. Paperback. July 2003. 192. 0.73 x 7.50 x 6.38
$10.36
Gaiman, NeilBachalo, ChrisBuckingham, Mark (Contributor)McKean, Dave (Contributor)
From Publishers Weekly The High Cost of Living is a continuation of Harvey Award-winning fantasy writer Gaiman's series detailing the cosmic duties of a loose family of seven immortals. Not quite Gods, they embody realms of psychic experience: Dream, Desire, Despair, Destiny, Delirium, Destruction and Gaiman's very popular character, Death. Reaper, yes; but Death's not very grim as she goes about her business visiting the just-about-to-die and ushering them into their new existence. In this story she meets Sexton, a teenager contemplating suicide, and they end up searching New York City to find a witch's heart (the old hag hid it centuries ago, it's a witch tradition), so the old girl can hide it again. Up pops the Eremite, an evil wizard type, out to steal Death's mysterious necklace, who makes the usual threats against life and limb. Gaiman has created a character sweetly at odds with her modbid duties; dressed like a Satanic rocker, she's as pretty as a cheerleader and even more upbeat. While Gaiman brings a gritty urban contemporaneity to the fantasy genre, the story also suffers from a TV script-like sensibility--danger-defying quips, the good-hearted overweight black neighbor, melodramatic villain. Nevertheless the combination of wry mystic immortal and MTV slacker produces an engaging chemistry. Top-notch production, and although the illustration is a bit stiff, it's stylishly rendered and very nicely colored. The introduction is by pop singer Tori Amos. Copyright 1994 Reed Business Information, Inc. Ingram /Neil Gaiman /Dave McKean, Chris Bachalo and /Mark Buckingham, illustrators From the pages of THE SANDMAN LIBRARY Neil Gaiman tells the story of the one day every hundred years when Death, older sister of The Sandman, walks among humans to gain a better understanding of.
DC Comics. Paperback. June 1994. 103. 0.26 x 10.18 x 6.66
$13.97
Gaiman, NeilJones III, MalcolmDringenberg, MikeZulli, MichaelBarker, Clive (Introduction)
The immense popularity of Neil Gaiman's Sandman series is due in large part to the development of his characters. In The Doll's House, the second book of the Sandman magnum opus, Gaiman continues to build the foundation for the larger story, introducing us to more of the Dream King's family of the Endless. The Sandman returns to his kingdom of the Dreaming after nearly a century of imprisonment, finding several things out of place; most importantly, an anomaly called a dream vortex has manifested itself in the form of a young girl who unknowingly threatens to rip apart the Dreaming. And there's the smaller matter of a few nightmares having escaped. Among them is Gaiman's creepiest creation: the Corinthian, a serial killer with a miniature set of teeth in each eye socket. Because later volumes concentrate so much on human relationships with Gaiman's signature fair for fantasy and mythology, it is sometimes easy to forget that the Sandman series started out as a horror comic. This book grabs you and doesn't let you forget that so easily. --Jim Pascoe Ingram This volume of Neil Gaiman's THE SANDMAN book series features the first appearance of Death, the Sandman's older sister. As Clive Barker says in his Introduction, ". . . there is a wonderful willful quality to this mix . . .slapstick comedy, mystical musings, and the grimmest collection of serial killers this side of Death Row." Eighth printing. Graphic novel format. Mature readers.
DC Comics. Paperback. September 1991. 240. 0.52 x 10.22 x 6.71
$11.47
Neil GaimanMalcolm Jones III (Illustrator)Colleen Doran (Illustrator)Kelley Jones (Illustrator)Charles Vess (Introduction) Erickson, Steve
The third book of the Sandman collection is a series of four short comic book stories. What's remarkable here (considering the publisher and the time that this was originally published) is that the main character of the book--the Sandman, King of Dreams--serves only as a minor character in each of these otherwise unrelated stories. (Actually, he's not even in the last story.) This signaled a couple of important things in the development of what is considered one of the great comics of the second half of the century. First, it marked a distinct move away from the horror genre and into a more fantasy-rich, classical mythology-laden environment. And secondly, it solidly cemented Neil Gaiman as a storyteller. One of the stories here, "A Midsummer Night's Dream," took home the World Fantasy Award for best short story--the first time a comic was given that honor. But for my money, another story in Dream Country has it beat hands down. "A Dream of a Thousand Cats" has such hope, beauty, and good old-fashioned chills that rereading it becomes a welcome pleasure. --Jim Pascoe
DC Comics. Paperback. April 1995. 160. 0.35 x 10.17 x 6.66
$19.95
Nicholson, JeffGaiman, NeilHogan, PeterNicholson, JeffDoherty, Peter
New great looking book unopened, satisfaction guaranteed
DC Comics. Paperback. April 1999. 224. 0.41 x 10.14 x 6.63
$24.95
Gaiman, NeilMcKean, Dave
New great looking book unopened, satisfaction guaranteed
Watson-Guptill Pubns. Paperback. August 1998. 208. 0.63 x 10.80 x 7.84
$24.95
Neil GaimanManara, MiloPrado, MiguelanxoSienkiewicz, BillRussell, P. Craig
From Publishers Weekly Now that he's a bestselling fantasy novelist, Gaiman returns to the comics series that made his reputation with this new volume of seven gorgeously illustrated stories. Gaiman specializes in inventing fantastic allegories for the quotidian, in a voice that casually shifts between uneasy realism and Borgesian grandeur. In Sandman cosmology, "The Endless" are seven immortal siblings who personify abstract concepts: Dream, Death, Destiny and so on. This work devotes a story to each of them, drawn in distinctly different styles by an all-star lineup of American, British and European cartoonists and fine artists. Gaiman is famous for writing to his artists' strengths, and he does so here. P. Craig Russell draws the surreal fantasia "Death and Venice" with the opulent brio of his opera adaptations. "What I've Tasted of Desire" is a darkly sexual fable, painted by Milo Manara in the style of his more X-rated work. A couple of the stories find Gaiman working in a more experimental mode than usual, notably "Fifteen Portraits of Despair," a set of anecdotes and prose poems accompanied by Barron Storey's tormented, abstract drawings and paintings. Longtime comics fans will notice plenty of inside jokes in "The Heart of a Star," but most of this book is a red carpet-or perhaps a Persian rug-rolled out for Gaiman's prose readers to see his visions turned into lush, dramatic images. Copyright 2003 Reed Business Information, Inc. From Booklist When Gaiman ended his phenomenally popular comic-book series The Sandman in 1996, he promised to eventually revisit the characters. Now he keeps that promise, with results that are everything his fans could have hoped for. The series centered on the brooding title character, also known as Dream, who rules over the realm humans visit when they sleep, and also dealt with his godlike siblings Death, Desire, Despair, Delirium, Destruction, and Destiny, collectively known as the Endless. In this... read more Book Description Featuring the popular characters from the award-winning Sandman series, THE SANDMAN: ENDLESS NIGHTS reveals the legend of the Endless, a family of magical and mythical beings who exist and interact in the real world. Born at the beginning of time, Destiny, Death, Dream, Desire, Despair, Delirium and Destruction are seven brothers and sisters who each lord over atheir respective realms. In this highly imaginative book that boasts diverse styles of breathtaking art, these seven peculiar and powerful siblings each reveal more about their true-being as they star int heir own tales of curiosity and wonder.
DC Comics. Hardcover. September 17, 2003. 160. 0.63 x 11.20 x 7.52
$13.97
Neil GaimanKahan, BobMcKean, Dave
Ingram From the mists of the past to the nightmares of the present, Neil Gaiman's THE SANDMAN touches the lives of kings and knaves, explorers, storytellers, monsters and children. This collection of short tales explores historical figures from Augustus Caesar to Marco Polo, from The Arabian Nights to Revolutionary France.
Warner Books. Paperback. April 1994. 264. 0.48 x 10.17 x 6.65
$13.97
Gaiman, NeilDelany, Samuel R. (Introduction)MacManus, Shawn (Illustrator)Doran, Colleen (Illustrator)Talbot, Bryan (Illustrator) Pratt, George (Illustrator)
You may have heard somewhere that Neil Gaiman's Sandman series consisted of cool, hip, edgy, smart comic books. And you may have thought, "What the hell does that mean?" Enter A Game of You to confound the issue even more, while at the same time standing as a fine example of such a description. This is not an easy book. The characters are dense and unique, while their observations are, as always with Gaiman, refreshingly familiar. Then there's the plot, which grinds along like a coffee mill, in the process breaking down the two worlds of this series, that of the dream and that of the dreamer. Gaiman pushes these worlds to their very extremes--one is a fantasy world with talking animals, a missing princess, and a mysterious villain called the Cuckoo; the other is an urban microcosm inhabited by a drag queen, a punk lesbian couple, and a New York doll named Barbie. In almost every way this book sits at 180 degrees from the earlier four volumes of the Sandman series--although the less it seems to belong to the series, the more it shows its heart. --Jim Pascoe
DC Comics. Paperback. September 1993. 192. 0.37 x 10.20 x 6.70
$8.76
Gaiman, NeilBolton, John (Illustrator)Galman, Nell
Book Description In this modern retelling of a classic commedia dell' arte legend of tomfoolery and hopeless, fawning love, creators Neil Gaiman (Sandman) and John Bolton (Manbat: Batman) update the relation of Harlequin and Columbine. A buffoon burdened with a brimming heart, Harlequin chases his sensible, oblivious Columbine around the streets of a city, having given his heart freely. Consumed with love, the impulsive clown sees his heart dragged about town, with a charming surprise to bend the tale in a modern direction. Gaiman's writing is poetic and as loopy as the subject matter. Bolton's art, a combination of digitally enhanced photo-realism and dynamic painting provides sensational depth with bright characters over fittingly muted backgrounds. Those who have spent Valentine's Day alone know that the cold February holiday can be hard to swallow. Gaiman and Bolton want you to know that all it takes is a steak knife, a fork, and a bottle of quality ketchup.Contains an additional 8-page backup feature written by Neil Gaiman and illustrated by John Bolton on the history of commedia dell' arte! From the Publisher Neil Gaiman is an acclaimed novelist and writer of comics, short stories, screen and teleplays. He wrote all 75 issues of DC's groundbreaking Sandman series, an epic meditation on myths and storytelling. His other comics work includes Books of Magic, Death, Signal to Noise, and Mr. Punch. He created the BBC's hit television series Neverwhere, soon to be a major motion picture. With the publication of the best-selling Neverwhere novel, Gaiman made the leap from graphic visionary to literary... read more
Dark Horse Comics. Hardcover. January 2002. 40. 0.34 x 10.48 x 6.84
$13.97
Gaiman, NeilMcConnell, Frank
Here's the latest in Vertigo's award-winning series. The Lord of Dreams has killed his own son and now must face the consequences as his fate becomes entwined with the Kindly Ones, primal powers who revenge blood debts. Full-color illustrations. Graphic novel format. Suggested for mature readers. Original. (trade paper)
DC Comics. Paperback. September 1996. 352. 0.75 x 10.12 x 6.69
$9.95
Gaiman, NeilZulli, MichaelCooper, Alice
From Publishers Weekly A spooky collaboration between novelist and comics writer Gaiman (Sandman; and see review of American Gods, above) and creepy shock rocker Cooper, this is the story of Steven, a boy with many fears: girls, ghost stories and growing up among them. On a dare, he steps into an odd theater and meets a mysterious, top-hatted showman, an Alice Cooper-like figure (complete with dark eye-circles) who offers him a way to avoid his fears by simply giving up his "potential" and staying forever in a dreamy netherworld of spirits and wraiths. And after encountering Mercy, a beautiful ticket-taker in the ghostly theater, Steven gives the offer serious consideration. Cooper is the inspiration for the Grand Guignol of this demonic theater, a chilling metaphor for the seductive allure of complacency and indolence. Gaiman's story is a whimsical horror tale about confronting the fears within, and Zulli's black-and-white illustrations have a dark, emotive line, presented in a brownish, bloodlike hue that makes even a mundane, autumnal street scene seem eerie and foreboding. Copyright 2001 Cahners Business Information, Inc. Book Description Steven is afraid. Afraid of ghost stories, afraid of growing up ... just afraid. That is, until he meets the mysterious Showman and his Theatre of the Real. Steven takes a ticket and watches the show on a dare, but getting out of the performance will be harder than he ever imagined. And Steven learns what it is to be truly afraid. Neil Gaiman, internationally acclaimed writer of both prose fiction (Neverwhere, Stardust) and graphic novels (The Sandman, Signal to Noise) and artist Michael Zulli (The Sandman, The Dreaming) team up to create this dark and brooding morality tale. Originally published as part of the short-lived Marvel Music line of the early `90s, this stunning trade paperback features sepia-colored ink on cream paper to better showcase the lush beauty of Zulli`s duoshade artwork in an affordable 6x9 format.
Dark Horse Comics. Paperback. January 9, 2001. 104. 0.27 x 8.93 x 5.94
$21.95
Wachowski, AndyWachowski, LarryDarrow, GeofSienkiewicz, BillGaiman, Neil McKeever, Ted
New great looking book unopened, satisfaction guaranteed
Burlyman Entertainment, Inc.. Paperback. November 2003. 160. X
$13.95
P. Craig RussellNeil Gaiman (Illustrator)
From Publishers Weekly Celebrated comics creators Gaiman (Sandman) and Russell (The Ring of the Nibelung) have teamed up to produce a story of deception and vengeance involving the first betrayal, the first heartbreak and the first crime in God's own city of angels. Raguel is a lost angel, a ragged drifter on the streets of Los Angeles, who tells this story to the narrator, a young Brit stranded on his way back to England. In Raguel's former world, the one in which he had wings, he served as the agent of the Lord's vengeance. When an angel was found murdered, Raguel was assigned to find the killer and his motives. Like an unearthly detective, Raguel questioned his fellow angels until he discovered the murderer and then delivered the Lord's terrible punishment. But upon wreaking God's vengeance, Raguel began to realize it was God himself who set up this murder. Using sharp, crystalline drawings of the eternal city and ribbons of color that suggest creation's simultaneous plasticity and solidity, Russell conveys a bright, illuminated world of purity and divine experimentation. His crisp and vividly rendered drawings capture the haunting sense of loss and isolation Gaiman expresses in this mythic tale of love and jealousy. Copyright 2002 Reed Business Information, Inc. From Library Journal This is a masterful adaptation by P. Craig Russell of a deep and dark prose short story by Gaiman, known for his wonderful, multiple award-winning Sandman and his recent novel American Gods. The original story can be found in Gaiman's collection Smoke and Mirrors and in The Year's Best Fantasy and Horror (St. Martin's, 1993). In it, a stranger bums a cigarette off a young man and, in exchange, tells him an ancient story, which makes up the bulk of the book. In the city of the angels, where the... read more Book Description One of the most celebrated writers in the history of comics teams up once again with one of the industry's most accomplished artists! For the first time in nine years, since the award-winning 50th issue of Sandman, Neil Gaiman and P. Craig Russell once again venture into the world of myth and angels. Constructing and maintaining all of heaven and earth is an immense task, which God has divided up amongst the various ranks and stations of angels. As with any such huge effort, there are bound to be casualties. This unique passion play sheds light on the hands behind creation, as well as one lonely man in Los Angeles who gets to hear the whole story of a most unspeakable crime: a murder in paradise! P. Craig Russell adapts Neil Gaiman's poignant short story with the subtlety and grace which earned him two Eisner Awards last year for his work on Dark Horse's Ring of the Nibelung series. The reunion of these two legendary comics creators is a guaranteed masterpiece.
Dark Horse Comics. Hardcover. June 2002. 64. 0.45 x 10.44 x 6.90
$12.57
Gaiman, NeilWagner, MattTotleben, John (Illustrator)Bissette, Stephen (Illustrator)
New. Great looking book unopened, unread; satisfaction guaranteed.
DC Comics. Paperback. January 2000. 288. 0.32 x 10.13 x 6.62
$19.95
Neil GaimanKevin SmithKurt BusiekJeff SmithGreg Rucka Nat Gertler
Steven Grant's Permanent Damage column, April 3rd, 2002 There aren't many books that pass for "invaluable references" in our field, but this qualifies. Comics Buyer's Guide issue 1483 It's an attractive package put together by comics writer Nat Gertler, and it's welcome, indeed. GRADE: A Book Description For future writers, future artists, and those who just want to see how it's done, here's a collection of comic book scripts from some of comicdom's top talents. See how Neil Gaiman writes a superhero story, how Marv Wolfman provides a plot for his artist to work from, and how Jeff Smith draws a script for Rose. Also included are a Jay & Silent Bob script by filmmaker Kevin Smith, a Whiteout script by novelist Greg Rucka, GoGirl! by Trina Robbins, Deathlok by Milestone co-founder Dwayne McDuffie, and Kurt Busiek's Astro City by Astro City's Kurt Busiek. Plus, a short script by Eisner nominee Nat Gertler, with the finished story drawn by Detective Comics's Steve Lieber - available in America for the first time!
About Comics, LLC. Paperback. March 8, 2002. 200. 0.49 x 11.00 x 8.52
$13.97
Neil GaimanSam Kieth (Illustrator)Michael Dringenberg (Illustrator)Malcolm Jones III (Illustrator)
"Wake up, sir. We're here." It's a simple enough opening line--although not many would have guessed back in 1991 that this would lead to one of the most popular and critically acclaimed comics of the second half of the century. In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interested in capturing the physical manifestation of Death but who instead captures the King of Dreams. By Gaiman's own admission there's a lot in this first collection that is awkward and ungainly--which is not to say there are not frequent moments of greatness here. The chapter "24 Hours" is worth the price of the book alone; it stands as one of the most chilling examples of horror in comics. And let's not underestimate Gaiman's achievement of personifying Death as a perky, overly cheery, cute goth girl! All in all, I greatly prefer the roguish breaking of new ground in this book to the often dull precision of the concluding volumes of the Sandman series. --Jim Pascoe
DC Comics. Paperback. November 1991. 240. 0.46 x 10.17 x 6.63
$13.97
J. Michael StraczynskiGaiman, NeilZanier, Christian
Book Description TOP COW is proud to bring you issues 1-8 of the critically acclaimed series RISING STARS. This is the first story arc written by J. Michael Straczynski and tells the tale of the beginnings of the Specials. With new cover by MIDNIGHT NATION artist Gary Frank. This collection is the perfect way to revisit the earlier issues of RISING STARS in one sitting or to discover fro the first time the mose realistic superhero epic since Alan Moore's Watchmen.
Image Comics. Paperback. January 1, 2001. 192. 0.38 x 10.18 x 6.62
$7.50
Neil GaimanEd KramerGene WolfeSteve BrustClive Barker Tori Amos
From Publishers Weekly Though he won the World Fantasy Award for Short Fiction in 1991, Gaiman is best known as the writer who transformed the WWII-era DC Comics character the Sandman from a Batman-style detective/vigilante into the much darker Morpheus, aka Dream, the being who presides over the realm of Dreaming. One of seven siblings who represent various states of consciousness?Destiny, Death, Destruction, Desire, Despair, Dream and Delirium?Morpheus is head of the allegorical family called the Endless. Here, popular fantasy writers expand upon Gaiman's original concepts, with mixed results. Colin Greenland's bittersweet "Masquerade and High Water" and Barbara Hambly's "Each Damp Thing" provide insights into the backstage workings of the Endless. Tad Williams's "The Writer's Child" is a finely crafted story about loyalty and the value of innocence. Weak spots include George Alec Effinger's resurrection of a saccharine Little Nemo for "Seven Nights in Slumberland," Lisa Goldstein's bland "Stronger Than Desire" and B.W. Clough's vignette "The Birth Day." Susanna Clarke's "Stopp't-Clock Yard" and a lyrical meditation on Death by songwriter Tori Amos close the anthology on a strong note; a b&w drawing by Clive Barker opens it on a garish one. Though perhaps most interesting as an example of media-crossover, this collection presents some powerful writing about, and memorable images of, the other reality wherein we while away a third of our lives. Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library Journal This anthology features stories about The Sandman, DC Comics' best-selling adult graphic novel by Neil Gaiman. Clive Barker wrote the frontispiece (not seen), and singer Tori Amos contributed the afterword. The 18 mainstream writers expand and elaborate the Sandman mythos. Readers don't need a familiarity with the Sandman comic to appreciate these stories. Recommended for short story collections. Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. Book Description There is a dark king who rules our dreams from a place of shadows and fantastic things. He is Morpheus, the lord of story. Older than humankind itself, he inhabits -- along with Destiny, Death, Destruction, Desire, Despair, and Delirium, his Endless sisters and brothers -- the realm of human consciousness. His powers are myth and nightmare -- inspirations, pleasures, and punishments manifested beneath the blanketing mist of sleep. Surrender to him now. A stunning collection of visions, wonders, horrors, hallucinations, and revelations from Clive Barker, Barbara Hambly, Tad Williams, Gene Wolfe, Nancy A. Collins, and sixteen other incomparable dreamers -- inspired by the groundbreaking, bestselling graphic novel phenomenon by Neil Gaiman.
HarperTorch. Mass Market Paperback. January 8, 2002. 416. 1.15 x 6.78 x 4.22
$35.00
Kwitney, AlisaGaiman, Neil (Introduction)McElwain, Sarah
About the Author Alisa Kwitney is a former VERTIGO Comics editor and writer. The author of three novels, a graphic novel, and a work of nonfiction, she lives in New York City. Neil Gaiman is the New York Times best-selling author of American Gods and Coraline. He is the recipient of numerous awards for The Sandman. Book Description The first and only comic book to receive the World Fantasy Award, The Sandman continues to break new ground in the comic book medium and beyond. Author Alisa Kwitney explores its beginnings and chronicles the comic's emergence as a unique and undeniable force in the literary world. Richly illustrated, this history shows how Gaiman and The Sandman's gifted artists, such as Dave McKean and Yoshitaka Amano, create a haunting (and haunted) main character who wields immense power. With illustrations never before published, behind-the-scenes stories, handwritten notes, and interviews with Gaiman himself, this volume is a true testament to the dream king and his creator.
Chronicle Books. Hardcover. November 2003. 180. 0.89 x 11.70 x 8.14
$19.95
Gaiman, Yoshitaka NeilAmano, Yoshitaka
Sandman fans should feel lucky that master fantasy writer Neil Gaiman discovered the mythical world of Japanese fables while researching his translation of Hayao Miyazaki's film Princess Mononoke. At the same time, while preparing for the Sandman 10th anniversary, he met Yoshitaka Amano, his artist for the 11th Sandman book. Amano is the famed designer of the Final Fantasy game series. The product of Gaiman's immersion in Japanese art, culture, and history, Sandman: Dream Hunters is a classic Japanese tale (adapted from "The Fox, the Monk, and the Mikado of All Night's Dreaming") that he has subtly morphed into his Sandman universe. Like most fables, the story begins with a wager between two jealous animals, a fox and a badger: which of them can drive a young monk from his solitary temple? The winner will make the temple into a new fox or badger home. But as the fox adopts the form of a woman to woo the monk from his hermitage, she falls in love with him. Meanwhile, in far away Kyoto, the wealthy Master of Yin-Yang, the onmyoji, is plagued by his fears and seeks tranquility in his command of sorcery. He learns of the monk and his inner peace; he dispatches demons to plague the monk in his dreams and eventually kill him to bring his peace to the onmyoji. The fox overhears the demons on their way to the monk and begins her struggle to save the man whom at first she so envied. Dream Hunters is a beautiful package. From the ink-brush painted endpapers to the luminous page layouts--including Amano's gate-fold painting of Morpheus in a sea of reds, oranges, and violets--this book has been crafted for a sensuous reading experience. Gaiman has developed as a prose stylist in the last several years with novels and stories such as Neverwhere and Stardust, and his narrative rings with a sense of timelessness and magic that gently sustains this adult fairy tale. The only disappointment here is that the book is so brief. One could imagine this creative team being even better suited to a longer story of more epic proportions. On the final page of Dream Hunters, in fact, Amano suggest that he will collaborate further with Mr. Gaiman in the future. Readers of Dream Hunters will hope that Amano's dream comes true. --Patrick O'Kelley --This text refers to the Hardcover edition. From School Library Journal YA-Gaiman's "Sandman" series (Vertigo) was complete when he became interested in giving new voice to the Japanese tale of "The Fox, the Monk, and the Mikado of All Night's Dreaming." Working with a Japanese painter, he has produced a book that breathes an ethereal but entrancing air of could-have-been. The wise monk of the story is able to repel tricksters and dole out sage advice, but he is not above falling in love and having to face his own fate. The narrative unfolds in full and half pages,... read more --This text refers to the Hardcover edition. Book Description Sandman: The Dream Hunters won the 1999 Bram Stoker Award for Best Comic Book, Graphic Novel, or Other Illustrative Narrative as well as the 2000 Eisner Award for Best Comics-Related Book. Sandman: The Dream Hunters was also nominated for the 1999 Hugo Award for Best Related Book.
DC Comics. Paperback. July 2000. 128. 0.32 x 10.23 x 6.67
$13.97
Gaiman, NeilJones, KelleyEllison, Harlan (Introduction)Dringenberg, Mike
In many ways, Season of Mists is the pinnacle of the Sandman experience. After a brief intermission of four short stories (collected as Dream Country) Gaiman continued the story of the Dream King that he began in the first two volumes. Here in volume 4, we find out about the rest of Dream's Endless family (Desire, Despair, Destiny, Delirium, Death, and a seventh missing sibling). We find out the story behind Nada, Dream's first love, whom we met only in passing during Dream's visit to hell in the first book. When Dream goes back to hell to resolve unfinished business with Nada, he finds her missing along with all of the other dead souls. The answer to this mystery lies in Lucifer's most uncharacteristic decision--a delicious surprise. There is something grandiose about this story, in which each chapter ends with such suspense and drive to read the next. This book is best summed up by a toast taken from the second chapter: "To absent friends, lost loves, old gods, and the season of mists; and may each and every one of us always give the devil his due." --Jim Pascoe
DC Comics. Paperback. October 1995. 256. 0.48 x 10.20 x 6.65
$19.95
Gaiman, NeilVess, Charles
Stardust is an utterly charming fairy tale in the tradition of The Princess Bride and The Neverending Story. Neil Gaiman, creator of the darkly elegant Sandman comics and author of The Day I Swapped My Dad for Two Goldfish, tells the story of young Tristran Thorn and his adventures in the land of Faerie. One fateful night, Tristran promises his beloved that he will retrieve a fallen star for her from beyond the Wall that stands between their rural English town (called, appropriately, Wall) and the Faerie realm. No one ever ventures beyond the Wall except to attend an enchanted flea market that is held every nine years (and during which, unbeknownst to him, Tristran was conceived). But Tristran bravely sets out to fetch the fallen star and thus win the hand of his love. His adventures in the magical land will keep you turning pages as fast as you can--he and the star escape evil old witches, deadly clutching trees, goblin press-gangs, and the scheming sons of the dead Lord of Stormhold. The story is by turns thrillingly scary and very funny. You'll love goofy, earnest Tristran and the talking animals, gnomes, magic trees, and other irresistible denizens of Faerie that he encounters in his travels. Stardust is a perfect read-aloud book, a brand-new fairy tale you'll want to share with a kid, or maybe hoard for yourself. (If you read it to kids, watch out for a couple of spicy sex bits and one epithet.) --Therese Littleton --This text refers to the Hardcover edition. From Publishers Weekly Wallace Stevens believed that in order to see the actual world, it helps to visualize a fantastic one. For more than a decade, Gaiman has been helping readers grapple with reality by offering fantastic worlds in visionary graphic novels like The Sandman, occasional short stories and his bestselling first prose novel, Neverwhere. Here, Gaiman extends his range by offering a novel-length fairy tale, one that abounds in wonder and lessons. The story begins in the Victorian-era English village of... read more --This text refers to the Hardcover edition. Book Description In the sleepy English countryside at the dawn of the Victorian Era, life moves at a leisurely pace in the tiny town of Wall--a secluded hamlet so named for an imposing stone barrier that surrounds a fertile grassland. Armed sentries guard the sole gap in the bulwark to keep the inquisitive from wandering through, relaxing their vigil only once every nine years, when a market fair unlike any other in the world of men comes to the meadow. Here in Wall, young Tristran Thorn has lost his heart to beautiful Victoria Forester. But Victoria is cold and distant--as distant, in fact, as the star she and Tristran see fall from the sky on a crisp October evening. For the coveted prize of Victoria's hand, Tristran vows to retrieve the fallen star and deliver it to his beloved. It is an oath that sends the lovelorn swain over the ancient wall, and propels him into a world that is strange beyond imagining. But Tristran is not the only one seeking the heavenly jewel. There are those for whom it promises youth and beauty, the key to a kingdom, and the rejuvenation of dark, dormant magics. And a lad compelled by love will have to keep his wits about him to succeed and survive in this secret place where fallen stars come in many guises--and where quests have a way of branching off in unexpected directions, even turning back upon themselves in space and in time. Neil Gaiman works his unique literary magic in new and dazzling ways in Stardust, a novel that will shine in the heart and memory far beyond the turning of its final page. --This text refers to the Hardcover edition.
DC Comics. Paperback. August 1999. 224. 0.42 x 10.16 x 6.70
$19.95
Gaiman, NeilBerger, Karen (Editor)McKean, Dave (Illustrator)
Ingram In his grandfather's seaside arcade, a young boy encounters a mysterious Punch & Judy man with a dark past and a woman who makes her living playing a mermaid. As their stories unfold, the boy must confront family secrets, strange puppets and a nightmarish world of violence and betrayal. Second printing. Graphic novel format.
DC Comics. Paperback. September 1995. 96. 0.30 x 11.62 x 8.72
$13.97
Gaiman, NeilGilmore, Mikal (Introduction)Michael Zulli (Illustrator)Jon J. Muth (Illustrator)Charles Vess (Illustrator)
This is the conclusion to the much talked about Sandman series. It may be best to start your Sandman acquaintance with earlier episodes, but The Wake stands as one of Neil Gaiman's strongest and most consistent Sandman volumes to date. --This text refers to an out of print or unavailable edition of this title.
DC Comics. Paperback. July 1997. 192. 0.38 x 10.20 x 6.70
$15.00
Gaiman, NeilWolfe, Gene
Paula Guran, Cemetery Dance Magazine, #40 "With punnish glee and an eye for the most demented details of travel tomes... this one is a little gem. " Cindy Lynn Spear, SF Site "...provides some wonderfully pleasant, light reading that manages to give you a tiny bit of a chill now and then." Book Description Gene Wolfe and Neil Gaiman invite you to tour the Shambles, that historic old Chicago neighborhood which miraculously survived the Great Fire of 1871. ('Ya can't burn Hell,' as one local politician laughingly remarked.) Uniquely Chicago, the Shambles offers an array of delights for the intrepid sightseer: Cereal House with its Terribly Strange Bed (be sure to fill out the 'next of kin' form if you stay the night: a quaint touch adding to the fun of an overnight visit); the House of Clocks boasts a collection of 20,000 time pieces Ñ make sure you arrive on the hour, for an unforgettable moment; the historic H.H. Holmes' House with the bars on his children's windows still intact; Saunders Park, a soothing respite from the city streets (if one is careful), with its gardens, statuary, ornamental lake and the infamous Petting Zoo (a favorite with children, but it's best not to bring your own); plus many more intriguing sights . . . In the finest tradition of Charles Addams and Edward Gorey, our trustworthy guides Gene Wolfe and Neil Gaiman reveal the secrets of the Shambles, finding the best places to eat, (and where not to accept food under any circumstances), where to begin your walking tour, and when to run. The Shambles has been called a place of dark magic and deadly menace. Many will insist there is no such place. Most pray it does not exist. Certainly, a spot not to be missed by any avid sightseer. Come along . . . walk lively, now. The inhabitants of the Shambles are dying to meet you. This lovely edition of A Walking Tour of the Shambles sports a cover by Gahan Wilson, America's reigning King of Whimsical Terrors, plus interior illustrations of Shambles' locales by Randy Broecker and Earl Geier, two daring Chicagoans.
American Fantasy. Paperback. April 15, 2002. 57. X
$13.97
Gaiman, NeilKing, Stephen (Introduction)McKean, DaveLocke, V.
When Brant and Charlene wreck their car in a horrible snowstorm in the middle of nowhere, the only place they can find shelter is a mysterious little inn called World's End. Here they wait out the storm and listen to stories from the many travelers also stuck at this tavern. These tales exemplify Neil Gaiman's gift for storytelling--and his love for the very telling of them. This volume has almost nothing to do with the larger story of the Sandman, except for a brief foreshadowing nod. It's a nice companion to the best Sandman short story collection, Dream Country, (and it's much better than the hodgepodge Fables and Reflections). World's End works best as a collection--it's a story about a story about stories--all wrapped up in a structure that's clever without being cute, and which features an ending nothing short of spectacular. --Jim Pascoe
DC Comics. Paperback. June 1995. 1. 0.33 x 10.19 x 6.64