$17.95
Moore, AlanRyp, Juan Jose (Illustrator)
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Avatar Press. Hardcover. April 2003. 64. 0.42 x 10.60 x 6.96
$5.95
Moore, AlanBurrows, Jacen (Illustrator)Burrows, JacenWilkofsky, Marc
New great looking book unopened, satisfaction guaranteed
Avatar Press. Paperback. June 2003. 47. 0.17 x 10.27 x 6.64
$7.95
Moore, Alan (Creator)Ryp, Juan Jose (Illustrator)Ryp, Juan Jose
New great looking book unopened, satisfaction guaranteed
Avatar Press. Paperback. April 2003. 64. 0.16 x 10.42 x 6.60
$5.95
Moore, AlanBolland, Brian (Illustrator)O'Neil, Dennis (Editor)
The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow.
DC Comics. Paperback. February 1996. 48. 0.25 x 10.25 x 6.75
$14.99
Delany, Samuel R.Wolff, Mia (Illustrator)Moore, Alan (Introduction)
From Publishers Weekly Unusually touching, this comics memoir presents the beginnings of an unlikely but loving relationship between Delany (Times Square Red, Forecasts, May 31), a distinguished African-American novelist, essayist and professor, and Dennis, a white homeless man barely scraping by on the streets of Manhattan. Delany first notices Dennis, grime-covered and clad in filthy clothes, around his Upper West Side neighborhood selling used books on the street, his possessions packed in a shopping cart. But beneath the dirt and stink, Dennis is funny, honest and caringAand, like Delany, he is gay. Before long, Delany invites him to share a motel room and then (after much consideration by both of them) to visit him in Massachusetts, where Delany teaches. Told simply and methodically like Delany's 1996 memoir, The Motion of Light in Water, the story is subdued yet acutely emotional. It reaches across the boundaries of race and classAas well as across hilariously opposed standards of personal hygieneAto capture two people in the process of building a life together. Wolff's b&w drawings are awkward, even crudely rendered, but they manage to convey the sincerity and candor of a delightful and eccentric urban love story. (July) Copyright 1999 Reed Business Information, Inc. Edmund White, author of The Farewell Symphony Samuel R. Delany breaks all the taboos in Bread & Wine-sex with the homeless; male homosexuality in the home with a teenage daughter under the same roof; interracial love in a period of growing racial isolation; a cheerful disregard for physical filth in a nation that has raised hygiene to the level of sterility. The comic strip illustrations by Mia Wolff add just the right fairy-tale atmosphere to this improbable tale of true love. How Jean Genet would have loved it!
Juno Books. Paperback. March 1, 1999. 80. 0.36 x 10.72 x 8.42
$19.95
Moore, AlanDavis, Alan (Illustrator)
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Marvel Books. Paperback. March 2002. 208. 0.37 x 10.02 x 6.64
$16.95
Moore, AlanGibson, IanGibson, Ian
Book Description Meet Halo Jones. She wasn't anyone special. She wasn't brave, or clever, or strong. She was just somebody who had to get out ... Escaping the Hoop, Manhattan Island's land of mindless leisure, is just the first step in a cosmic adventure that takes Halo to the far ends of the galaxy, through war and peace, trial, despair and triumph. But as she said: "Anybody could have done it." "Possibly the first feminist heroine in comics" wrote the Observer of Alan Moore's epic tale of one woman's search for her place in a galaxy out of control. Beautifully illustrated by Ian Gibson, this is the ultimate sci-fi opus. Don't dare miss it!
Titan Books. Paperback. October 2002. 128. 0.38 x 11.84 x 8.66
$14.95
Moore, AlanDavis, Alan
Book Description From the dream team of Alan Moore (Watchmen, Promethea) and Alan Davis (Avengers, Miracle Man) comes a supremely deranged duo. Titan Books is proud (and should be ashamed) to present D.R & Quinch! Outrageous, unrestrained and heavily armed, college students D.R & Quinch gleefully provide irredeemably poor role-modelling for today's youth. Wildly offensive tales of alien slime wars, deranged disaster movies, psychotic girlfriends and warped war veterans make for a volatile mix of malicious mayhem and deeply dark humour. Totally intense, man!
Titan Books. Paperback. March 2003. 96. 0.38 x 11.86 x 8.70
$24.95
Khoury, George (Editor)Moore, AlanBolland, Brian
Book Description In The Extraordinary Works of Alan Moore, the reclusive British author tells his own story, speaking enthusiastically and passionately about his life and work in an extensive series of interviews! Moore displays his trademark wit and shares his unique insight on the comics that have shaped his legendary career—from his beginnings on Swamp Thing and Watchmen to the current success of his own America's Best Comics and League of Extraordinary Gentlemen! Editor George (Kimota!) Khoury has assembled rare strips, scripts, artwork and photographs of the author, most never published before. It also features Moore's closest collaborators elaborating on their relationships with Moore in comic book form, from Neil Gaiman, Dave Gibbons, and Sam Kieth to Kevin O'Neill, Brian Bolland, Rick Veitch, and others, plus an artistic tribute by Alex Ross, and a new cover by Dave McKean! Included are the rare Moore stories "Pictopia," "Lust," his unseen work on Judge Dredd, and more! ! This is the definitive autobiographical work on Moore, over two years in the making!
Twomorrows Publishing. Paperback. July 2003. 224. 0.25 x 12.00 x 8.50
$24.50
Moore, AlanCampbell, Eddie
The mad, shaggy genius of the comics world dips deeply into the well of history and pulls up a cup filled with blood in From Hell. Alan Moore did a couple of Ph.D.'s worth of research into the Whitechapel murders for this copiously annotated collection of the independently published series. The web of facts, opinion, hearsay, and imaginative invention draws the reader in from the first page. Eddie Campbell's scratchy ink drawings evoke a dark and dirty Victorian London and help to humanize characters that have been caricatured into obscurity for decades. Moore, having decided that the evidence best fits the theory of a Masonic conspiracy to cover up a scandal involving Victoria's grandson, goes to work telling the story with relish from the point of view of the victims, the chief inspector, and the killer--the Queen's physician. His characterization is just as vibrant as Campbell's; even the minor characters feel fully real. Looking more deeply than most, the author finds in the "great work" of the Ripper a ritual magic working intended to give birth to the 20th century in all its horrid glory. Maps, characters, and settings are all as accurate as possible, and while the reader might not ultimately agree with Moore and Campbell's thesis, From Hell is still a great work of literature. --Rob Lightner Book Description Synopsis: Alan (Watchmen, V for Vendetta) Moore and Eddie (Bacchus, Alec) Campbell finally collect From Hell, wherein they exhume the rancid body of the Whitechapel murders, using fiction as a scalpel they cut open Jack the Ripper's crimes and show those glittering entrails for the world's delight.
Eddie Campbell Comics. Paperback. April 2000. 572. 1.20 x 10.04 x 7.42
$75.00
Moore, AlanO'Neill, Kevin
From Publishers Weekly Acclaimed comics author Moore (Watchmen) has combined his love of 19th-century adventure literature with an imaginative mastery of its 20th-century corollary, the superhero comic book. This delightful work features a grand collection of signature 19th-century fictional adventurers, covertly brought together to defend the empire. The League of Extraordinary Gentlemen comprises such characters as Minna Murray (formerly Harker), from Bram Stoker's Dracula; Robert Louis Stevenson's Dr. Jekyll (and his monstrous alter ego, Mr. Hyde); and Jules Verne's Captain Nemo, restored to the dark, grim-visaged Sikh Verne originally intended. There's also Hawley Griffin, the imperceptible hero of H.G. Well's The Invisible Man, and Allan Quatermain, the daring adventurer of King Solomon's Mines and other classic yarns by H. Rider Haggard. It's 1898, and these troubled adventurers are spread around the globe, in the midst of one pickle or another. Quatermain is found near death, delirious in a Cairo opium den; the perverse Griffin is captured terrorizing an all-girls school (leaving behind a series of mysterious pregnancies); and the gruesome Mr. Hyde is rescued from the mob set to kill him at the end of Stevenson's classic novel. This collection of flawed and gloomy heroes is recruited to fight a criminal mastermind (a notorious 19th-century literary villain) intent on firebombing the East End of London. The book also includes "Allan and the Sundered Veil," a rip-snorting, prose time-travel story starring Quatermain and written in the manner of the 19th-century "penny dreadful." Moore and O'Neill have created a Victorian era Fantastic Four, a beautifully illustrated reprise of 19th-century literary derring-do packed with period detail, great humor and rousing adventure. Copyright 2001 Cahners Business Information, Inc. --This text refers to the Hardcover edition. From Library Journal In the waning days of the Victorian era, a cast of five agents is instructed to save England. Each agent had been a respected member of society, but for various reasons (divorce, drug addiction) they have all dropped out of public favor. Whom they work for is uncertain; the group's leader, Miss Murray, believes that it is the famed detective Sherlock Holmes, back from the dead. Against an atmosphere that is both exciting and repressive, Moore and O'Neill have superimposed a drama that is... read more --This text refers to the Hardcover edition.
DC Comics. Hardcover. July 2003. 416. 1.65 x 12.58 x 8.52
$14.95
Moore, AlanO'Neill, KevinOakley, BillO'Neill, KevinDimagmaliw, Ben
From Publishers Weekly Acclaimed comics author Moore (Watchmen) has combined his love of 19th-century adventure literature with an imaginative mastery of its 20th-century corollary, the superhero comic book. This delightful work features a grand collection of signature 19th-century fictional adventurers, covertly brought together to defend the empire. The League of Extraordinary Gentlemen comprises such characters as Minna Murray (formerly Harker), from Bram Stoker's Dracula; Robert Louis Stevenson's Dr. Jekyll (and his monstrous alter ego, Mr. Hyde); and Jules Verne's Captain Nemo, restored to the dark, grim-visaged Sikh Verne originally intended. There's also Hawley Griffin, the imperceptible hero of H.G. Well's The Invisible Man, and Allan Quatermain, the daring adventurer of King Solomon's Mines and other classic yarns by H. Rider Haggard. It's 1898, and these troubled adventurers are spread around the globe, in the midst of one pickle or another. Quatermain is found near death, delirious in a Cairo opium den; the perverse Griffin is captured terrorizing an all-girls school (leaving behind a series of mysterious pregnancies); and the gruesome Mr. Hyde is rescued from the mob set to kill him at the end of Stevenson's classic novel. This collection of flawed and gloomy heroes is recruited to fight a criminal mastermind (a notorious 19th-century literary villain) intent on firebombing the East End of London. The book also includes "Allan and the Sundered Veil," a rip-snorting, prose time-travel story starring Quatermain and written in the manner of the 19th-century "penny dreadful." Moore and O'Neill have created a Victorian era Fantastic Four, a beautifully illustrated reprise of 19th-century literary derring-do packed with period detail, great humor and rousing adventure. Copyright 2001 Cahners Business Information, Inc. --This text refers to the Hardcover edition. From Library Journal In the waning days of the Victorian era, a cast of five agents is instructed to save England. Each agent had been a respected member of society, but for various reasons (divorce, drug addiction) they have all dropped out of public favor. Whom they work for is uncertain; the group's leader, Miss Murray, believes that it is the famed detective Sherlock Holmes, back from the dead. Against an atmosphere that is both exciting and repressive, Moore and O'Neill have superimposed a drama that is... read more --This text refers to the Hardcover edition.
DC Comics. Paperback. October 2002. 192. 0.35 x 10.16 x 6.62
$24.95
Moore, AlanO'Neill, Kevin
Book Description London, 1899. As the British Empire lies in mortal jeopardy, a top-secret initiative unites several of the most illustrious (and sometimes infamous) personages of the age: Allan Quartermain, famed explorer and adventurer; Captain Nemo, master of the undersea submersible Nautilus; Dr. Henry Jekyll, and his brutish alter ego, Mr. Hyde; Rodney Skinner, the Invisible Man; Dorian Gray, the ageless subject of a diabolical portrait; Mina Harker, surviving victim of the late Count Dracula; and a scrappy American secret agent named Tom Sawyer. Together, they form...
DC Comics. Hardcover. December 2003. 224. X
$24.95
Moore, AlanVillarrubia, Jose
Book Description This epic poem recounts the history of same-sex love, revealing a hidden side of Western culture through the lives of its greatest artists. Sappho, Michelangelo, Shakespeare, Emily Dickinson, Oscar Wilde, and many others are woven into this rich, visceral piece. Originally written fourteen years ago, The Mirror of Love sprang from Moore's activist heart as a reaction to Britain's controversial anti-gay law, Clause 28. In the past, Mirror has been translated into both a comic book and a stage production, but Top Shelf presents it as it was meant to be, a hardcover book illustrated with over forty full-color photographs from acclaimed artist Jose Villarrubia. Included in the 128-page special edition is an essay about the poem and its previous incarnations, an index of characters and places, a selection of classic poems quoted in the text, and a bibliography.
Top Shelf Productions. Hardcover. November 2003. 128. X
$14.95
Casey, B. JoeMoore, AlanHolguin, Brian
New great looking book unopened, satisfaction guaranteed
DC Comics. Paperback. January 2002. 176. 0.37 x 10.21 x 6.65
$10.47
Moore, AlanGray, Mick (Illustrator)Williams, J. H., III (Illustrator)
Alan Moore, like Neil Gaiman, constantly flirts with the too-smart-for-his-own-good aesthetic without alienating his readers. Promethea weaves Moore's trademark scholarly mysticism with wild, fun swipes at post-everything culture in a complex tale based on the importance of story. Following a teenage girl, whose interest in an obscure and possibly real heroine leads to her assumption of the heroine's role, Promethea draws on a century of comics art to express themes of history and fiction. Action, intimacy, fantasy, and ennui all find their place, and when it's over, the reader will hunger for the next collection. --Rob Lightner From Booklist With his realistic approach to superhero comics, Moore prompted a minor revolution in the 1980s. Of late he has returned to the genre with a line of new costumed adventurers. Of them, teenager Sophie Bangs, the latest in an age-old line of embodiments of the mystical heroine Promethea, seems closest to his heart. Standard superhero fare (crime fighting, slugfests, etc.) takes a backseat to philosophical and moral issues here, but the stories most reflect Moore's long obsession with magic,... read more --This text refers to the Hardcover edition.
DC Comics. Paperback. August 2001. 176. 0.38 x 10.32 x 6.56
$10.47
Moore, Alan
Alan Moore, like Neil Gaiman, constantly flirts with the too-smart-for-his-own-good aesthetic without alienating his readers. Promethea weaves Moore's trademark scholarly mysticism with wild, fun swipes at post-everything culture in a complex tale based on the importance of story. Following a teenage girl, whose interest in an obscure and possibly real heroine leads to her assumption of the heroine's role, Promethea draws on a century of comics art to express themes of history and fiction. Action, intimacy, fantasy, and ennui all find their place, and when it's over, the reader will hunger for the next collection. --Rob Lightner --This text refers to the Paperback edition. From Booklist With his realistic approach to superhero comics, Moore prompted a minor revolution in the 1980s. Of late he has returned to the genre with a line of new costumed adventurers. Of them, teenager Sophie Bangs, the latest in an age-old line of embodiments of the mystical heroine Promethea, seems closest to his heart. Standard superhero fare (crime fighting, slugfests, etc.) takes a backseat to philosophical and moral issues here, but the stories most reflect Moore's long obsession with magic,... read more --This text refers to the Hardcover edition.
DC Comics. Paperback. August 2003. 176. 0.41 x 10.21 x 6.68
$24.95
Moore, AlanWilliams, J. H.Gray, Mick
Alan Moore, like Neil Gaiman, constantly flirts with the too-smart-for-his-own-good aesthetic without alienating his readers. Promethea weaves Moore's trademark scholarly mysticism with wild, fun swipes at post-everything culture in a complex tale based on the importance of story. Following a teenage girl, whose interest in an obscure and possibly real heroine leads to her assumption of the heroine's role, Promethea draws on a century of comics art to express themes of history and fiction. Action, intimacy, fantasy, and ennui all find their place, and when it's over, the reader will hunger for the next collection. --Rob Lightner --This text refers to the Paperback edition. From Booklist With his realistic approach to superhero comics, Moore prompted a minor revolution in the 1980s. Of late he has returned to the genre with a line of new costumed adventurers. Of them, teenager Sophie Bangs, the latest in an age-old line of embodiments of the mystical heroine Promethea, seems closest to his heart. Standard superhero fare (crime fighting, slugfests, etc.) takes a backseat to philosophical and moral issues here, but the stories most reflect Moore's long obsession with magic,... read more --This text refers to the Hardcover edition.
DC Comics. Hardcover. August 2003. 192. 0.65 x 10.50 x 6.94
$10.47
Moore, AlanVillarino, Jose (Illustrator)Williams, J. M. (Illustrator)
Alan Moore, like Neil Gaiman, constantly flirts with the too-smart-for-his-own-good aesthetic without alienating his readers. Promethea weaves Moore's trademark scholarly mysticism with wild, fun swipes at post-everything culture in a complex tale based on the importance of story. Following a teenage girl, whose interest in an obscure and possibly real heroine leads to her assumption of the heroine's role, Promethea draws on a century of comics art to express themes of history and fiction. Action, intimacy, fantasy, and ennui all find their place, and when it's over, the reader will hunger for the next collection. --Rob Lightner --This text refers to the Paperback edition. From Booklist With his realistic approach to superhero comics, Moore prompted a minor revolution in the 1980s. Of late he has returned to the genre with a line of new costumed adventurers. Of them, teenager Sophie Bangs, the latest in an age-old line of embodiments of the mystical heroine Promethea, seems closest to his heart. Standard superhero fare (crime fighting, slugfests, etc.) takes a backseat to philosophical and moral issues here, but the stories most reflect Moore's long obsession with magic,... read more --This text refers to the Hardcover edition.
DC Comics. Paperback. February 2003. 176. 0.39 x 10.34 x 6.58
$4.16
Moore, AlanCampbell, Eddie
Book Description Snakes and Ladders is about English revolutionary Cromwell, who was dug up three years after his death in order to be executed. To further shock you, we learn that Pre-Raphaelite beauty Lizzie Siddal was also exhumed so that Rossetti could retrieve his manuscript book of poems, given to her in her death as a token of his eternal love.
Eddie Campbell Comics. Paperback. June 1, 2001. 48. X
$24.95
Moore, AlanBennett, JoeVeitch, RickSprouse, ChrisStarlin, Jim
From Publishers Weekly Following last year's Supreme: The Story of the Year, here are the remaining stories in Moore's provocative reinvention of Rob Liefeld's mediocre superhero. The story doesn't feel as complete as the earlier saga, since Liefeld's company collapsed before Moore's last two scripts in this plot arc could be illustrated and published, but it's still remarkable. With hulking blond Supreme now in full possession of his pals, toys and mortal enemies, Moore is free to explore the existence of a comics superhero who possesses superhuman powers but who can be "revised" without warning by inept human publishers who want to exploit a fad. Comics are bigger than that, Moore suggests. There's something wonderful about how humans keep extending our imaginations beyond our everyday needs. There's also something absurd about the ways we childishly fumble when we try to imagine superhuman characters, and Moore is skilled at writing underplayed, deadpan comedy. Supreme is smart but na‹ve and dim in his personal relationships. But he's learning. Moore also deftly exploits opportunities for outrageous farce. Like all great humor, though, Supreme concerns serious subjects. Moore has always been obsessed by how we try to escape reality's constraints by imagining superheroes-by what that does for readers and what it does to them. The results are both ridiculous and hopeful, and Moore (assisted by a talented crew of artists) is smart and creative enough to effectively work out his ideas. It's even ironically appropriate that the story ends unfinished, since it illustrates how the grubby real world interferes with comics creators' imagination. Copyright 2003 Reed Business Information, Inc. From Booklist Moore, writer of the acclaimed From Hell (2000), returned to superhero comics with Supreme, a tribute to and knockoff of the original superpowered crime fighter, Superman. Best known for bringing realism to superhero comics in the 1980s, Moore is more playful here, reconciling the juvenile elements of the Man of Steel's adventures with the greater sophistication of contemporary comics. Like the 1960s Superman, Supreme has a mild-mannered, bespectacled cover identity, is accompanied by a younger... read more
Checker Book Publishing Group. Paperback. ?. 252. 0.51 x 10.24 x 6.78
$18.87
Moore, AlanBennett, JoeVeitch, RickBennett, Joe
From Publishers Weekly No one understands superheroes better than Moore. This collection won him the 1997 Eisner Award for Best Writer, and shows he can still find fresh things to say about the nature of comic book superheroes. Supreme began life as an exceptionally violent Superman rip-off. Moore took over in 1996, jettisoning everything except Supreme's blond, muscular good looks and turning a copycat into an ingenious homage to the Superman archetype. This clever work retells the history of superhero comic books as reflected through Moore's retro drawings and superheroes modeled on characters and narrative styles from the 1930s to today. Suffering from amnesia, Supreme has returned to Earth, but must also return to his roots-his smalltown family, allies and bombastic enemies-to discover his origins. In his everyday identity, he's a mild-mannered comic book artist who draws a line of violent superheroes. As Supreme investigates his past, readers are treated to a delightful series of tongue-in-cheek flashbacks to revised versions of the Golden and Silver eras of comics. Supreme grows up in Little Haven, rather than Smallville; lives in Omegapolis, instead of Metropolis; and convenes meetings of the Allied Supermen, rather than the Justice League of America. Moore weaves a complex plot that leads to a startling, ingenious climax. He also offers his characters and readers moments of poignant self-discovery. In his superhero masterpiece Watchmen, Moore stressed the dangers of identifying with comic book heroes. This work is a much kinder look at the form, done with wit, intelligence and love. Copyright 2002 Reed Business Information, Inc. Entertainment Weekly, February 21, 2003 "Watchmen writer Alan Moore warps the boundaries of the hero yet again with his skewed take on the Superman mythos."
Checker Book Publishing Group. Paperback. November 15, 2002. 332. 0.56 x 10.32 x 6.74
$17.95
Moore, AlanVeitch, RickTotleben, JohnTotleben, Alfre
New great looking book unopened, satisfaction guaranteed
DC Comics. Paperback. ?. 160. 0.30 x 10.20 x 6.68
$19.95
Moore, AlanVeitch, RickBissette, SteveTotleben, JohnYeates, Tom
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DC Comics. Paperback. ?. 189. 0.38 x 10.16 x 7.60
$10.50
CAMPBELL, EDDIEMOORE, ALAN
Book Description Synopsis: Alan (Watchmen, V for Vendetta) Moore and Eddie (Bacchus, Alec) Campbell, the creators of the award-winning From Hell, collaborate again on a stunning work exploring the uncertain glamour of memory, the shamanism of a milk-soft childhood and the unending synchronicity of history.
Eddie Campbell Comics. Paperback. 1999. 48. 25 cm.
12.5
[Moore, Alan]
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Marvel UK. Paperback. . 0. X
$14.95
Moore, AlanStory, KarlSprouse, Chris
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AAA. Paperback. October 2003. 192. 0.35 x 10.28 x 6.38
$17.47
Moore, AlanSprouse, ChrisGordon, AlanWeiss, AlanGordon, Al (Illustrator) Baker, Kyle (Illustrator)
New. Great looking book unopened, unread; satisfaction guaranteed.
DC Comics. Hardcover. March 2002. 192. 0.60 x 10.12 x 7.20
$12.57
Moore, AlanKlein, Todd (Illustrator)Smith, Cam (Illustrator)
New. Great looking book unopened, unread; satisfaction guaranteed.
DC Comics. Paperback. September 2001. 208. 0.42 x 10.18 x 6.59
$17.36
Moore, AlanBaikie, JimBarta, Hilary (Illustrator)Gebbie, Melinda (Illustrator)
New. Great looking book unopened, unread; satisfaction guaranteed.
DC Comics. Hardcover. February 2002. 176. 0.57 x 10.51 x 6.90
$10.47
Moore, AlanCannon, Zander (Illustrator)Ha, Gene (Illustrator)
From Booklist The comic-book series Top 10 has been described as "Hill Street Blues with superheroes." It is set in futuristic Neopolis, where every resident, from the mayor to the garbage man, has super powers. The challenge of maintaining order in such an environment falls to a constabulary that includes desk sergeant Kemlo Caesar, a talking dog in a humanoid exoskeleton; Jack Phantom, who passes through solid objects; the moody, invulnerable giant Officer Smax; and Girl One, with her impervious, bio-engineered skin. Like their normal TV counterparts, these officers deal with everything--traffic accidents to municipal corruption--that occurs within a continuing, soap-operatic storyline. Moore makes them as human as prime-time cop-show characters, only much more imaginative and exciting, and detailed, finely rendered art helps ground the fantastic goings-on. Lightweight compared to Moore's Jack the Ripper reinterpretation, From Hell (2000), or his reinvention of the superhero in Watchmen series, Top 10 finds Moore simply refreshing the superhero concept and proving--witness Sergeant Caesar--that you can teach an old dog new tricks. Gordon Flagg Copyright © American Library Association. All rights reserved --This text refers to the Paperback edition.
DC Comics. Paperback. July 2001. 208. 0.44 x 10.23 x 6.66
$39.99
Moore, AlanLloyd, David (Contributor)Moore, Steve
A frightening and powerful story of the loss of freedom and identity in a totalitarian world, V for Vendetta takes place in an alternate future in which Germany wins WWII and Britain becomes a fascist state. A vigilante named "V" stalks the streets of London trying to free England of its ideological chains. Moore's poetic language coupled with Lloyd's eerie, washed-out color art makes this a captivating read sure to stay with you. --This text refers to the Paperback edition.
Warner Books. Paperback. April 1995. 286. 0.47 x 10.18 x 6.68
$13.97
Moore, AlanMarx, Barry (Editor)Gibbons, Dave (Illustrator)
Rolling Stone Watchmen is peerless. — Mikal Gilmore, Rolling Stone Village Voice A brilliant piece of fiction. — Richard Gehr, The Village Voice Village Voice A brilliant piece of fiction. — Richard Gehr, The Village Voice
Warner Books. Paperback. April 1995. 416. 0.84 x 10.24 x 6.68
4
Moore, Alan & Alan Davis
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Marvel UK. Paperback. . 0. X
$10.47
Sam Kieth (Illustrator)Alan MooreMoore, Alan
Description: A wild, quirky, and truly original project that delighted fans of Sam Kieth's previous work on The Maxx, "Zero Girl" is the story of a high-school misfit coming of age. Young Amy Smootster, weirdness magnet that she is, has never been the most popular girl in school. She can speak to insects and believes that circles are good and squares evil. Awkward and different, she doesn't quite fit into any social circle, and she likes it that way. But strange things seem to happen when Amy is around, the spontaneous appearance of puddles of water for instance, and it has made her the target of relentless bullies. With the aid of a sympathetic guidance counselor whom she develops a mad crush on, Amy explores the meaning of her surreal abilities and discovers her place in the world.
DC Comics. Paperback. November 2001. 144. 0.30 x 10.16 x 6.60